° is a rap artist whose catalog shows an unusually heavy release pace, abrupt stylistic pivots, and a recurring preference for minimalist symbols, fractured typography, and emotionally charged titles. Artist-authored bios frame the project through the phrases "all 4 luv" and "001 RECØRDZ," while the documented catalog stretches from early pop-coded singles and EP work into rap-centered albums with more combative and introspective naming patterns. The public record available here separates into two distinct bodies of evidence: a release-dated catalog beginning in 2025 and a later press-and-social archive that captures widespread audience response. BillBuzz coverage from 2028 onward documents repeated streaming milestones for individual tracks, suggesting that several songs had become major cultural fixtures by then, while the album record continues well into the 2030s with a dense run of releases and a late album titled REBIRTH.
The release-dated catalog begins with the singles 1 and 2 and the EP 001: P0P, a short opening phase with pop-tagged songs and a stripped-back naming system. That initial run quickly accelerated in 2026, when ° moved from frequent standalone tracks into larger statements including the albums ¿ + and take a moment. The scale of those albums in the catalog, alongside the artist-authored "all 4 luv" framing, suggests an early identity built on speed, intensity, and a tension between sweetness and abrasion.
By late 2026 the catalog shows a clearer rap-centered turn. EVERYTHING V2 includes titles such as PARANOIA and FCK THA CHARTS, and the 2027 album ! continues that sharper voice with tracks like i saw it, i took notes, and i made you. Across these records, the naming alone indicates a move away from the earlier pop-labeled material toward a more combative and observational rap persona.
The public archive becomes clearer in 2028 and 2029 through a run of BillBuzz milestone pieces. Coverage records billion-stream thresholds for tracks including i sip drabk, No Hook, I Want You, and i infer, followed by milestone articles for Clean the Plate, Peep on Blast, and Refresh. Because these are press-dated items rather than release dates, they document cultural impact rather than the original chronology of the songs; taken together, they show ° reaching sustained mass listenership across multiple tracks rather than a single breakout hit.
After a catalog gap in the provided album history, ° entered an especially concentrated full-length phase in 2033 and 2034. Albums arrived in quick succession—25, FML ( FUCKMYLIFE ), TOXIC, WHAT YOU TRYNA DO ¿¡, AS SEEN ON TV, RESTLESS NIGHTS, What Helps You Sleep At Night, not a saint, nothing, STOP CRYING, and BLACK / WHITE—forming the most clearly defined body of long-form work in the archive. The titles suggest a period preoccupied with alienation, insomnia, moral self-interrogation, and split identity.
A 2037 BillBuzz article reported that the album it called Everything V1 had surpassed a major streaming threshold, indicating that earlier catalog material continued to grow long after release. In the release-dated album history, the next major late-period marker is REBIRTH in 2038, a title that strongly frames the later catalog as a renewal chapter. Read together, the press milestone and the album title present a late period in which canonization and reinvention coexist.
The clearest active chapter in the catalog record is the sustained album run that begins in 2033 and continues through later releases including BLACK / WHITE and REBIRTH. The sequence of album titles points to a period defined less by isolated singles than by rapid full-length statements, with themes of exhaustion, conflict, self-scrutiny, and renewal suggested by titles such as FML ( FUCKMYLIFE ), TOXIC, not a saint, nothing, STOP CRYING, BLACK / WHITE, and REBIRTH.
°'s album record is split between a high-output early breakthrough and a later, more psychologically titled run of full-length projects. The earliest supplied albums, ¿ +, take a moment, EVERYTHING V2, and !, show the shift from pop-tagged beginnings toward rap-centered writing. The album-only history then concentrates heavily in 2033 and 2034 before closing, in the provided record, with REBIRTH.
No video sources are present in the supplied record, so the available archive does not support claims about °'s formal visual style through filmed releases or music videos.
BillBuzz coverage presents ° primarily through commercial impact, especially repeated streaming milestones across multiple songs rather than a single dominant record. The supplied articles from 2028 and 2029 chart a run of major thresholds for i sip drabk, No Hook, I Want You, i infer, Clean the Plate, Peep on Blast, and Refresh. A later 2037 article extends that frame to album-level longevity by reporting a major milestone for Everything V1. No award nominations or wins are present in the supplied record.
